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Some of the best rock music of 2017 was made by women reckoning with a fundamental destructive truth of the genre: that it promises freedom to young female listeners but withholds actual liberation.

The National Transportation Safety Board is trying to figure out why the train was traveling 80 mph in a 30 mph zone when it careened off a highway overpass Monday, killing at least three people.

Mitchell Zuckoff's book includes first-person accounts of the fall of Kabul.

The 8th-annual Vinylthon fundraiser supports the next generation of radio broadcasters.

The state is losing land faster than just about anywhere else in the world, but says it can't protect everyone from flooding. It created a program to buy out 2,400 homes, but it's not funded.

And the well-being of humans could suffer if the species go extinct. The images are from the new book Endangered by Tim Flach.

The health clinic is operating, often by flashlight, out of tents. The island's bleak recovery epitomizes the unevenness of the disaster relief effort in the hurricane-devastated U.S. territory.

The songs of the year reflected deep needs — for safety, respect, money, self-definition, revolution — and often delivered their own form of satisfaction.

Stephanie Williams discovered comics young, drawn early to X-Men, which she saw as an allegory for the persecution of black Americans. An adult now, she co-hosts a podcast about black superheroines.

Indie hip-hop has us asking what artistic freedom really means. The story of a Chicago rapper named Saba offers a few answers.