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For three years in the 1980s, sports fans could enjoy football in the Spring. Master storyteller Jeff Pearlman describes the league's wild games, wilder players, and owners — including Donald Trump.

The novel is Chinese writer Cixin Liu's first in English since his "Remembrance of Earth's Past" trilogy. And that series' radical creativity returns in this tale of scientific striving — eventually.

Alexie is excited for a new generation of Native American writers to come on the scene, "so I don't have to answer all the questions," he says. His new memoir is You Don't Have to Say You Love Me.

In his new book, journalist Tom Ricks explains how the conservative British politician and the leftist author of 1984 challenged their respective political parties.

Can Xue's book is hard to describe, much less explain — there's a town, and a mountain, and a poplar grove, and a host of people just trying to connect in a world of absent-minded strangeness.

The title piece in Mexican master Juan Rulfo's The Golden Cockerel is a good story with a simple point: Life is short and then you die. It's the sketches and fragments that come after that amaze.

French novelist Delphine De Vigan follows up her tell-all 2012 memoir with a creepy tale of a blocked novelist — also named Delphine — who falls under the sway of an elegant, menacing ghostwriter.

Salt Houses traces several generations of a displaced Palestinian family. Author Hala Alyan says she experienced firsthand the "intergenerational trauma that went along with losing a homeland."

Carrington's complete short stories have just been published, along with a re-release of her wrenching memoir Down Below. She's one of many mid-20th century female writers now reaching new audiences.

Christopher Brown's new book plays out in a world where all our fears have become manifest — the nightly news, turned up to 11. And while there's a hint of hope at the end, this is not a happy book.